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Jamaican Queens - Wormfood - Printable Version +- Music Discussion (https://www.music-discussion.com) +-- Forum: Music Discussion (https://www.music-discussion.com/forumdisplay.php?fid=4) +--- Forum: Alternative (https://www.music-discussion.com/forumdisplay.php?fid=11) +--- Thread: Jamaican Queens - Wormfood (/showthread.php?tid=8274) |
Jamaican Queens - Wormfood - Music Head - 08-03-2013 online listen sounds like MGMT but I like MGMT I didn't like this 1.1 from me and a converted 2.1 from allmusic from the album - Kids Get Away http://www.youtube.com/watch?v=coOXpCAdQ6I released Mar 5th, 2013 ![]() Bio - from allmusic Influenced by hip-hop and dancehall, Detroit's Jamaican Queens are an indie pop trio that shares the synth pop sensibilities of bands like Flaming Lips and MGMT. Adam Pressley and Ryan Spencer started the group a few months before their previous band, Prussia, broke up, working off of electronic beats that Presley had recorded in his house. Drummer Ryan Clancey entered the fold, and the group released a mixtape before making a video for "Kids Get Away," off their 2013 debut full-length, Wormfood. Album Review - from allmusic Detroit band Jamaican Queens call their sound "trap pop," building their indie songs around brittle electronic beats inspired by innovative Southern rap names like Three 6 Mafia and Young Jeezy. It's a strange hybrid, with layers of acoustic guitar, woozy high vocals, and sawtoothed synthesizers sitting shakily atop either scattershot drum machine rhythms, blown-out Flaming Lips-styled live drumming, or beats constructed from samples with sources ranging from ELO to D'Angelo. Their debut album Wormfood stretches the limits of their skewed pop over nine songs, growing more and more bleak as the album goes on. Starting with the one-two punch of lead singles "Water" and "Kids Get Away," the more accessible pop nugget side of Jamaican Queens is presented with almost power-point straightforwardness. Both songs are full of unexpected and catchy hooks, crowd-pleasing choruses, and colorful production, all stuffed into right around four minutes. Lead vocals by Ryan Spencer shift between breathless, obsessive darkness and flippant lightheartedness reminiscent of Brian Eno's early pop albums. The album takes a left turn around its halfway mark, dropping its hip-hop and radio pop-informed approach for a series of gorgeously sad slower tracks. "Wellfleet Outro" rides a haunted sample, with guest vocals by Abby Fiscus sifting through a ghostly chorus that feels as sad as Sparklehorse and as lost as Portishead. "Sharkteeth" is based around a more traditional guitar figure, melodically folky at first, but soon joined by distorted drums and glitchy electronics as the song builds to a frenzied conclusion. Wormfood's production threatens to obscure the songs at times, but listening closely, it's possible that this is by design. While the strengths of the songwriting are less immediate than the pristine, space-filling beats, it's the combination of strong melody fighting with an overstuffed production palette that makes Jamaican Queens a more interesting, tense listen than their more bare-bones contemporaries. Track Listing 1. Water 2. Kids Get Away 3. Black Madonna 4. Annie 5. Wormfood 6. Wellfleet Outro 7. Shark Teeth 8. Asleep at the Wheel 9. Caitlin Jamaican Queens - Wormfood - CRAZY-HORSE - 08-03-2013 not sure about your linked track from the album...i neither like nor dislike it??? Jamaican Queens - Wormfood - SteveO - 08-03-2013 didn't care for it MH!...too poppy and not that original! Thank God for online listening!!!!...lol Music Head Wrote:online listen Jamaican Queens - Wormfood - CRAZY-HORSE - 10-03-2013 LOL...forgot you did this one MH.... i just listened to it, the linked one you did and 'cant say no annie' were the only two IMO that were sort of passable(well, not bad enough to not want to listen to them again anyway!!!) my score came in a bit higher than your 1.1....i gave it 1.2 so guess we're still in the same ballpark mate |