31-01-2012, 13:14
online listen
not my thing but it may be yours
another one for you sickos that like this
yes I listened to the scrowling for 14 tracks
well, 13 (1 instrumental)
1.0 from me and a converted 2.1 from the pros at allmusic
from the album - Goodbye To Death
http://www.youtube.com/watch?v=G_1Xy4VPPJ0
released Jan 31st, 2012
![[Image: r31505e7shh.jpg]](http://image.allmusic.com/00/amg/cov200/drr300/r315/r31505e7shh.jpg)
Bio - from allmusic
Orange County, CA, sextet Bleeding Through formed in the year 2000, featuring vocalist Brandan Schieppati,
guitarists Brian Leppke and Scott Danough, bassist Ryan Wombacher, drummer Derek Youngsma, and keyboardist Marta
Peterson. Probably the county's biggest misfits, Bleeding Through don't play pop, ska, hardcore, or even punk
(though they sure look like the latter), but rather crushing aggro-death-core popular among many post-millennial
American post-screamo bands. Bleeding Through have ties to other area bands Eighteen Visions and Throwdown, as some
members (past and present, like Schieppati and Marc Jackson) have logged time between acts. After debuting with
2002's Portrait of the Goddess, Schieppati chose to focus completely on Bleeding Through and the group signed with
New Jersey-based Trustkill Records, unleashing two well-regarded albums in 2004's This Is Love, This Is Murderous
and 2006's The Truth. As Bleeding Through worked on material for their next album, the first member change in three
years occurred in spring 2007 when Danough was replaced by ex-I Killed the Prom Queen guitarist Jona Weinhofen.
Released in 2008, Declaration, a concept album about the trials and tribulations of life on the road, ignited a
public feud with Trustkill over unpaid royalties, lack of funding, and release schedules, culminating in a move in
2010 to Oregon-based Rise Records for the band's eponymous sixth album and 2011 follow-up, The Great Fire.
Album Review - from allmusic
Orange County metalcore outfit Bleeding Through's seventh studio album wastes little time in pulling the meat off
of the bone. Opening with the instrumental cut "The March," which apes the intro to Michael Jackson's "Beat It" and
then filters it through a spinning chainsaw blade, the 14 tracks on The Great Fire are predictably punishing yet
expertly crafted. Brutal and efficient (the average song length clocks in at just under three minutes), the band
can toss off savage breakdowns, dual guitar leads, and stadium-sized group vocals with the best of them, and on
stand-out cuts like "Final Hours" and "Walking Dead," they sound like true pack leaders as opposed to hungry
followers. The keyboard parts are handled with great confidence, maybe a tad too much, as they have a tendency to
ride a little high in the mix. That said, they do add a distinct Norwegian metal patina to the whole affair,
resulting in a listening experience that can feel a little like cueing up tracks from At the Gates, Black Flag, and
Dimmu Borgir, and then pressing play on all three, which is not necessarily a bad thing.
Track Listng
1. The March
2. Faith in Fire
3. Goodbye to Death
4. Final Hours
5. Starving Vultures
6. Everything You Love Is Gone
7. Walking Dead
8. The Devil and Self Doubt
9. Step Back in Line
10. Trail of Seclusion
11. Deaf Ear
12. One by One
13. Entrenched
14. Back to Life
not my thing but it may be yours
another one for you sickos that like this
yes I listened to the scrowling for 14 tracks
well, 13 (1 instrumental)
1.0 from me and a converted 2.1 from the pros at allmusic
from the album - Goodbye To Death
http://www.youtube.com/watch?v=G_1Xy4VPPJ0
released Jan 31st, 2012
![[Image: r31505e7shh.jpg]](http://image.allmusic.com/00/amg/cov200/drr300/r315/r31505e7shh.jpg)
Bio - from allmusic
Orange County, CA, sextet Bleeding Through formed in the year 2000, featuring vocalist Brandan Schieppati,
guitarists Brian Leppke and Scott Danough, bassist Ryan Wombacher, drummer Derek Youngsma, and keyboardist Marta
Peterson. Probably the county's biggest misfits, Bleeding Through don't play pop, ska, hardcore, or even punk
(though they sure look like the latter), but rather crushing aggro-death-core popular among many post-millennial
American post-screamo bands. Bleeding Through have ties to other area bands Eighteen Visions and Throwdown, as some
members (past and present, like Schieppati and Marc Jackson) have logged time between acts. After debuting with
2002's Portrait of the Goddess, Schieppati chose to focus completely on Bleeding Through and the group signed with
New Jersey-based Trustkill Records, unleashing two well-regarded albums in 2004's This Is Love, This Is Murderous
and 2006's The Truth. As Bleeding Through worked on material for their next album, the first member change in three
years occurred in spring 2007 when Danough was replaced by ex-I Killed the Prom Queen guitarist Jona Weinhofen.
Released in 2008, Declaration, a concept album about the trials and tribulations of life on the road, ignited a
public feud with Trustkill over unpaid royalties, lack of funding, and release schedules, culminating in a move in
2010 to Oregon-based Rise Records for the band's eponymous sixth album and 2011 follow-up, The Great Fire.
Album Review - from allmusic
Orange County metalcore outfit Bleeding Through's seventh studio album wastes little time in pulling the meat off
of the bone. Opening with the instrumental cut "The March," which apes the intro to Michael Jackson's "Beat It" and
then filters it through a spinning chainsaw blade, the 14 tracks on The Great Fire are predictably punishing yet
expertly crafted. Brutal and efficient (the average song length clocks in at just under three minutes), the band
can toss off savage breakdowns, dual guitar leads, and stadium-sized group vocals with the best of them, and on
stand-out cuts like "Final Hours" and "Walking Dead," they sound like true pack leaders as opposed to hungry
followers. The keyboard parts are handled with great confidence, maybe a tad too much, as they have a tendency to
ride a little high in the mix. That said, they do add a distinct Norwegian metal patina to the whole affair,
resulting in a listening experience that can feel a little like cueing up tracks from At the Gates, Black Flag, and
Dimmu Borgir, and then pressing play on all three, which is not necessarily a bad thing.
Track Listng
1. The March
2. Faith in Fire
3. Goodbye to Death
4. Final Hours
5. Starving Vultures
6. Everything You Love Is Gone
7. Walking Dead
8. The Devil and Self Doubt
9. Step Back in Line
10. Trail of Seclusion
11. Deaf Ear
12. One by One
13. Entrenched
14. Back to Life